
Johnny Got His Gun (1971)Dalton Trumbo's 1971 anti-war semi-classic, Johnny Got His Gun, tells the story of a young soldier (not even named Johnny, by the way...rip off) who has his arms, legs, and face blown off during the final days of WWI. Unable to do anything but lay there and creep people out, the young man, named Joe, slips in and out of disturbing dreams and memories, one of which involves a poker game with Jesus Christ. A pretty young nurse eventually shows Joe a modicum of kindness which inspires him to communicate with the outside world through Morse code, i.e. twitching his scooped-out head wildly on his pillow. His message to the world: put me in a traveling carnival or kill me. Johnny Got His Gun is disturbing and sad and, unfortunately, all kinds of boring. It did make me realize that war is bad however. Oh, wait, I already knew that.
My grade: C

The Unseen (1981)
What was it my mother was always saying about accepting invitations to spend the night in a creepy, slightly effeminate fat man's farmhouse? Oh yeah: don't do it. Jennifer, Karen, and Vicki learn this the hard way in The Unseen, a relatively benign horror flick that slowly becomes equal parts offensive and dumb as it lumbers toward its predictable end. Our heroes are a trio of lady reporters on assignment in Solvang, California ("The Whitest City in America") to cover some dumb beer festival or what-not. The festival is so popular, that every hotel in the area is booked, so Jennifer and her gal pals are forced to spend the night with quirky museum owner, Ernest Keller, his weirdo wife, Victoria, and whatever it is they keep locked up in the basement. And who is this mysterious basement dweller? Well, it's none other than "Junior" Keller, a mistreated, lonely, autistic man-child. Oh, yeah, he's also the result of Ernest and Victoria's sick, incestuous love. Ick.
My grade: D

Rear Window (1954)A temporarily wheelchair-bound photojournalist living on a Hollywood soundstage made to look like New York City, thinks he's witnessed a murder during a round of late night peeping tomfoolery. The photog, played by poet/rabbit hallucinator James Stewart, ropes his girlfriend, played by Grace Kelly, and his insurance company-issued nurse into the spy game and pretty soon the three of them are snooping around Scooby-style, searching for clues that may not even exist. Is L.B. Jeffries just suffering from a severe case of paranoia brought on by cabin fever or did his creepy, cigar-smoking neighbor really kill his wife in cold blood? You'll have to watch this Alfred Hitchcock classic to find out. Or shoot me an e-mail. I don't mind ruining it for you.
My grade: A
Lingering question #1: I know I shouldn't care, but how did Jeffries use the bathroom? It looks as if his cast covers just about everything down there--his lower half was crushed by a race car after all--and he can't walk, so what gives? His nurse is always giving him back massages, but I never saw her empty a bedpan or insert a catheter. Maybe I need to read the Cornell Woolrich short story the film is based on for the answer to this question.
Lingering question #2: When Jeffries calls his detective pal, Tom Doyle, to discuss his latest discoveries, why is the babysitter he talks to an offensive racial stereotype? It seems so weird and out of place.

Gojira (or, if you prefer, Godzilla) (1954)
The same year Jimmy Stewart was fighting crime from a wheelchair, Japan was being trashed by a 400-foot mutant dinosaur named Godzilla. Yes, everybody's favorite Tokyo-flattening, train-kicking, nuclear mist-spewing terrible lizard makes his illustrious debut in this darkly tragic tale of atomic-testing run amok. In fact, Godzilla kind of ends on a super bummer. That being said, the premiere Godzilla film, for all of its problems--which, in my opinion, are very minor--pulls off something no sequel, reboot, or shitty Americanization of the basic story ever could, and that's be genuinely frightening. I imagined myself as a Japanese child in 1954 going to the movies with my folks and sitting through those opening credits--a combination of thundering orchestral music and Godzilla's trademark howl--and I almost shit my pants. Almost.
My grade: B
An observation: Saying "Gojira" out loud kind of sounds like you're making fun of Japanese people. It is also kind of fun.
One complaint: Not enough Godzilla attacking the city. Seriously. He does it once, for, like, ten minutes. Lazy dino.

Let the Right One In (2008)
Ah, young love! Who can forget their first crush on the living dead girl next door? Oskar sure won't. His undead crush comes in the shape of Eli, a vamp who has been 12-years-old for a long time. Eli inspires Oskar to stand up to the bullies who constantly harass him at school, she teaches him how to figure out a Rubik's cube, and even though it makes her physically ill, she samples a piece of the mixed candy sampler he buys for her. There is a lot more to the movie, but I refuse to go any further because Let the Right One In is a major must-see. In fact, it is officially a candidate for my favorite film OF ALL TIME!
And it's so much more than a vampire movie, in fact, I hesitate to even give it that label. It is a story of first love; a tale of the trials a lot of us face during that awkward tween phase; and, OK, it's a story about a little vampire girl and the homicidal father figure who sometimes drains bodies for her, but mostly just screws up.
There is apparently an American version of Let the Right One In, called simply Let Me In, coming soon to a theater near you. Now I haven't heard anything about it, nor have I watched the trailer or investigated its Wikipedia entry, but you can be sure it will in no way capture the beauty, brutality, and dark humor of the original. It may have the CGI cats though.
My grade: A+
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